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TRUST

"All that rots right with his pragmatism applies only to others but certainly not to them, needed a similar stroke of the pump. "

TRUST: "Repression in France," 1980 live recording

Well Trust has reformed and is celebrating its thirtieth anniversary. I saw this long ago. Alas, it seems that small internal grub and the arrival of a turntablist DJ, trendy, just wipe the rock'n'roll flame the combo, and make this return a fart in the water.
bad, I had a glimmer of hope. It seems that Nono and Bernie do not remember exactly what made them common legend. The
Giscardian France was a nightmare for our parents, but they did not know is that one of Sarkozy would be much worse. Because there would be no challenge worthy of the name, apart from polite discourse, and people who think, "take the measure of events, and discuss again and again while the violence is both physical and verbal spread like blood in the gutters.
In 1978, the rock'n'roll French wakes. After the failures of some crazy avant-garde (Variations, Ange, Magma. ...), Some groups are energetic kids wake up in the heart of Navarre. Little Bob Story, Dogs, Starshooter Bijou Telephone and of course, finally allowing the French to have small idols close to them, speak like them, who have the same problems.
Yet the discourse of these groups remain close to the Rolling Stones debut: the frustrations of teenagers, the worries of heart, trips with friends ... of course, for the press at the time, they finally had the class and the level of English bands, the Jam, the Damned, the Stranglers, all these combos punk rock the old Albion blows of pumps in the ass. The old France
encravatée former Gaullists of Raymond Barre, Giscard, Chirac (already!) ... All that rot right with his pragmatism applies only to others but certainly not to them, needed a similar stroke of the pump.
But he will not come with Punk. Although energy is there. The group detonator, it will be Trust. A group assembled by a former theater technician, Bernard "Bernie" Bonvoisin, musician and former Club Med, Norbert "Nono" Krief.
The quartet is stabilized with the arrival of Yves "Vivi" Brusco on bass, and Johnny Hanel on drums. The band then released two albums percussive "The Elite" in 1979, and "Repression" in 1980.
Both discs had the effect of a bomb, because where touches Telephone problems, Trust enters into it. Everybody takes it on the chin, with efficiency and precision of the verb exploding. "Police-Militia", "Prefab," "Antisocial," "Mr. Comedy", "Bosser Eight Hours," "The Mitard" ... so many classics whose meaning has sadly not waned. We're still slaves to work, we are still underpaid and as always the rich get richer on our backs, the police tape still hard, and policies are taking us for idiots as always.
But unlike today, Trust could exist, despite many criticisms and some censorship.
Music, she also is incredibly modern, even in advance. For where the French groups followed suit, Trust anticipates. With its mix of punk and heavy metal, he announces 1979 the future stars of British NWOBHM, Iron Maiden head.
Thus the French group may be the poster of the Reading Festival in 1981 without a blush, and make a carton, upsetting the show, the band Gillan.
the success of the title "Antisocial" Trust embarks on the road for a monster tour in France. Some dates were canceled due to local crooked politicians. But the whole was a success. He had to wait for Bernie yet plunged into the archives in 1992 to get these bands.
It is regrettable that this live comes a little late, but it is clear that the disc is an astonishing compendium of rock'n'roll rebellion and rage.
music takes on a dizzying power. There are of course Vivi and Nono, but also to the Moho Schemlek second guitar, plus a British drummer, Kevin Morris (the drummer is the big problem of Trust). The quintet now
hit, slap, bite. But what makes the difference also is the voice of Bernie. Where most metal bands have vocalists and virtuoso-pitched song, Bernie barks, mouth, belches, spits in his deep voice and powerful lyrics, violent and relevant.
Then of course, "Bosser Eight Hours," "Prefab," "Antisocial," "Police-Militia", take on particular significance. Nono Moho and adds power angry was painting from the melodies and riffs assassins chorus acids.
There is also two times of AC / DC, great friends, met in London a year before the death of Bon Scott, Trust who will dedicate the album "Repression" and the title "Your Last Act."
After this disc, the band published the magnificent "sink or swim." His heavy-metal is thinner, but still excellent. The tour that follows is but the first misstep. The group then has the choice between a giant French tour, or a U.S. tour opening for AC / DC. The musicians will then be torn on the decision to take, and will end in France.
This error will stop the creative dynamics and net Unit Trust, which will then spread out. "Trust IV" is a semi-failure, with its awkward religious texts and melodies a bit soft. Prisoners from the shackles
rock Franco-French, like all others, the group locked into a melodic rock flirting with the variety. The years 1984-1985 will be fatal to many: Jewelry, Starshooter Telephone and Trust course, throw in the towel in spandex and rock FM. The spirit is long gone.
And never will again. Because the quarrels between musicians, age, and then swept the wild hopes, and energy of these fellows. Because
Nono too hung out with Johnny Hallyday, that Bernie has plunged into cynicism, and the dough has corrupted the firepower of a bulldozer. But
forever Bonvoisin texts are a cruel news that the heavy Nono is still burning and percussive, and that these pictures of kids with long hair and spandex Tight still remembered as a big shit the society of old and true rock'n'roll.

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